Sandip Sahoo
Sandip Sahoo is a student at National
Institute of Technology, Rourkela, India.
Fiction and poetry have been his passion,
imagery and diction his forte. This is his
first appearance in a literary journal.
HOLY RIVER
Hot. Warm. Perfumed.
Sun kissed waters lap feet.
The conches uproariously proclaim
To the sky, the Goddess is come!
And their sounds mingle
With slokas, bird calls and boom boxes.
Her chariot on Goodyears
Comes to halt at the sun
Kissed waters so wanton.
Razors shift and wink
On a rippling river that craves
To slice and sneak away.
Young hands, restless for a grip,
Relieve her of her tiresome posture.
All hands! Heave-Ho!
A priest mumbles a jumble
And the sun burns their backs;
Their hears loll in heedless joy
Under the influence of bhang.
She, red-tongued one with
Skulls round her neck and tilak
On her forehead,
Angry eyes dilating,
Is hacked piece-by-piece
By razor sharp waters.
For self, taking along
A boy, given the slip
By a mossy stone.
REVOLUTION
When mores are trampled over, gore's a chore, not lore.
Whims and fancies shall seek refuge
In the annals of time, not so for flesh and blood.
For now, prone is the crone before the gaudy whore.
Megalomaniacs alone, dream of a singular kingdom
Democratic bums think up new factions.
A continuum of politics, its jaundiced eyes seek
Amidst anorexic multitudes, gluttony and grease.
More autonomy for the few spineless
There's freedom on a leash for the oppressed.
Guileless kids wave flags, new sweetmeats for all
Troubled is the sleep of newly awakened droves.
Down the aisle, of aimless shame
Apathy and avarice walk hand in hand.
Fall by the wayside, pungent promises
Blooms through concrete; a flower, incendiary red.
The wind is buffeted by unblemished philosophy
Pamphlets, bullet riddled drift in the slipstream.
Giddy on impotence in the taverns of reality
Drinking up the lies, can't stomach the truth.
By a muster of arms, by the show of hands
Follows a pregnant pause, the interlude.
On the Ferris Wheel, the white rats halt.
At twilight, don't know, whether dawn or dusk.
What is outrageous now, was admissible a time ago
When the mascara's off, she’s still, but a whore.